![]() It’s like if you are telling a story and you feel it, and you relate to this person, and you feel like you want to tell it in a certain way–it’s just going to happen. So I couldn’t do acting school just because I can’t think about it. You leave and it’s like, ‘okay that didn’t happen.’ It’s like the most unfulfilling, awful feeling. I didn’t just go through that and I faked it.’ I used like these tools that I learned over the years that I’ve been able to fake it. If I ever think about something too hard I will leave the scene after we are done shooting and it’s like: ‘I didn’t go through that. I can’t put too much sense on to it like that. HW: We were talking to William Hurt earlier about young actors, training and the process of becoming an actor. You don’t meet very many people who, like, feel human–real concrete. You don’t see that kind of spirit from most people. It’s compelling, you know, because it’s so rare. We don’t really demand our freedom anymore. KS: I mean anyone who is human has to relate to what the instinct of it is…demanding your freedom–and a lot of people have lost that. HW: And watching Chris’ journey filled your character, Tracy, with a certain awe? I think to go up on stage and play a song for each other is especially after seeing her play the night before. That that’s what she wants, and that’s what she thinks she wants because she’s never had it before. KS: I think it’s so cool that they don’t ‘do it’. HW: Hence your character’s palpable desire of Chris? He has a certain effect on certain kinds of people and I think she’s that kind of person. It’s not just that he’s accessible and her age–and a guy. So there are probably not many guys her age…and then he comes along. KS: I play a girl who’s and has never been anywhere else. HW: Can you talk about your seduction scene with Emile, who plays Chris McCandless? They are doing a whole series of short films that have female directors in them. KS: In this case, I think the glamour magazine was doing something for women directors. HW: So when stars direct shorts like that, where are they often seen? It must be special opportunity to work with a fellow actor in that capacity. Kate Hudson just directed a short film and I play a younger version of Virginia Madsen, who’s bleached-out. HW: You’re quite blonde these days, did you change your natural hair color for Into the Wild? Kirsten Stewart: I always played the guitar and I like sing to the radio, but I’ve never sung for anyone before. The mature Stewart talks about her role opposite Emile Hirsch, her singing, and seduction scene in the upcoming adventure drama Into the Wild. ![]()
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